The Highstepper

2017 Spring Show Recap

This year, the two-hour musical-dance-comedy-history extravaganza commonly called “the Cal Band Spring Show” was on Saturday, April 29 in the Band Rehearsal Hall. As the Masters of Ceremonies, Jason Holiday and Jameson Davis delivered wonderful (and wonderfully self-deprecating) performances. Unfortunately, Jason was a bit under-the-weather, so he hydrated immoderately throughout the evening. Meanwhile, Jameson spent most of his time onstage roasting himself.

The evening began with the Cal Band Big Band, led by Dr. Calonico, which played “Tenor Madness” by Sonny Rollins and “Doin’ the Bathtub Boogie” by Gordon Goodwin. A die-hard trumpet partisan might take umbrage at the fact there were twice as many trombones (6) as trumpets (3), but others might quietly give thanks and praise the good judgment of the director.

The second act managed to satisfy both the pro-trumpet and anti-trumpet factions; it involved the most of the trumpet section—singing a cappella! The song they sang? “Separate Ways,” of course!

Next up, Gina Levine performing stand-up comedy. Her targets included people who don’t hold the door when you’re right behind them—she hopes they find themselves one quarter short while doing laundry—and last year’s Drum Major, Alexander Ewing, whose distinctive voice she likened to a bad Obama impression. Her material was very well-received; her longtime fans only worry this success will encourage her to save her best stuff for live venues and lead to fewer amusing Facebook posts.

Shea Nolan then took the stage to perform some “piano jams.” The premise was fairly straightforward—an audience member would shout out a key, and Shea would improvise in the key. Aside from one joker who repeatedly shouted “E sharp,” the audience was cooperative and engaged, and Shea got a chance to demonstrate his inventiveness, adroitness, and “mad piano skills, bruh.”

The fifth act was… really something else. Eric Yu came up wearing a rubber cow head mask and played clarinet while speakers blasted heavy metal. It was the pre-concert fever dream of a Wisconsinite community orchestra director. It was a Spongebob Squarepants-BoJack Horseman crossover episode. It was Kafkaesque; it was Stanfurdesque; nonetheless, it was glorious.

The Bear Bones Quartet came next with a medley of songs from Moana. The much of the audience sang along during the choruses, and one or two super-fans sang along during the verses. As usual, the difficult task of arranging for trombones a not-so-brassy, vocals-heavy score was handled masterfully.

Then came Rees Parker with an act that was part history lesson, part musical performance. He traced the development of the harmonica from Germany to the American South and constructed an original blues song layer by layer—adding first blues harmonica, then guitar accompaniment, vocals, and a bit of whistling! He may not have dropped the bass like some contemporary songwriters, but he did put down an awesome beat on his shiny metal guitar.

The eighth act was the fan-favorite Cal Band Dance Team, putting the “twerk” in Gesamtkunstwerk. They danced to “Countdown” by Beyoncé, “Lose Control” by Missy Elliott, and “Crazy in Love” by Beyoncé. The dedication of the dancers to memorizing and perfecting the choreography was incredible—months ago, during the 2017 PAC-12 Men’s Basketball Tournament, while waiting backstage at the arena before a game, Rikio Inouye was seen rehearsing the steps over and over and over before the bathroom mirror. That level of preparation paid off; the performance was fun and impressive.

After the Cal Band Dance Team, the audience expected a solo bagpipes performance by Alex Walker. They waited and waited, but Alex Walker was nowhere to be seen. Then, suddenly, a full pipe band appeared, marched to the front, and played the best new special versions of Cal Songs since the first verse of “Fight for California” was translated into Dothraki!

What comes next? Well, you see, it is a Hamilton parody. A ton of jokes. Awesome. Wow. It does not feel too played-out somehow. Targeting Jameson—it was slightly mean, but mostly fun. Shea played the piano part, Brandon Chinn took care of drumming, and the rest—they sang with heart!

The grand finale of the Cal Band Spring Show was the fourth installment in the modern Cal Band, the Musical series. This year, renowned librettist, director, and impresario Alexander Hilts (in the interest of full disclosure, the writer should point out he is numerically identical with the aforementioned theatrical mastermind) focused on the experience of the graduating seniors. In the musical, a group of them look back on their time in band. They remember the good (the trip to Asia), the bad (sweaty, sticky hat rehearsals), and the ugly (fireside chat). They fear the future, but an alumna returns to spread the good news—there is a world beyond BRH and the lounge! Together, the seniors march off into the sunset.

All in all, the Cal Band Spring Show was a generally delightful, occasionally bizarre, always interesting time. Oh, and there were snacks. Shout-out to Ad Comm for the popcorn and Red Vines!


-Alex Hilts, Trombone

Traveling with our Teams: NCAA Women’s Basketball Tournament!

We recently had the privilege of accompanying our Women’s Basketball team to Waco, Texas to cheer them on in the NCAA Tournament! After arriving on March 16th and later cinching a win against LSU, we had plenty of time to explore the Lone Star State till the game against Baylor on 20th.

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On Friday the 19th, we had the opportunity to take a day trip to Austin, though I cannot say what exactly that trip entailed since I chose not to go. However, Waco had plenty to offer. Our hotel was conveniently placed within a ten minute walk of Baylor University, the Dr Pepper Museum, and the greatest fast food hub I’ve ever laid eyes upon. I took this day as an opportunity to wander through Baylor’s campus on a free schedule—though getting there was a surprising challenge. Upon leaving the hotel, Brent Wickemeyer (Bone ’14) and I passed two crossing guards directing crowds going towards Magnolia Market, a popular tourist site run by the stars of the popular remodeling show “Fixer Upper.” Beyond this point, however, we soon realized that Waco didn’t appear to have any crosswalks and that pedestrians in Texas technically do not have the right of way; this left us unsure how to cross under the overpass of I-35 and the expressways surrounding it, even though we could clearly see the edge of Baylor’s campus a hundred yards from us. It turns out that without crossing guards, it’s trial by fire every time you want to cross the street in Waco.


The first thing we decided to do once we finally arrived on campus was to stop by the campus bookstore. This is an essential stop on every away trip, as one of Cal Band’s many traditions is that we like to visit the rival’s/hosting team’s campus bookstore to buy pins and clearance t-shirts to remember our travels (in our second visit, Brent bought nine shirts for $2 each, which was pretty exciting). Afterwards, we turned the corner to view Baylor’s two live bears, Lady and Joy, in their Bear Habitat; these bears serve as the university’s mascots. The University of California, Berkeley also used live bear cubs as mascots for some time, though this practice was discontinued after 1940; as a side note, Baylor University stopped feeding their live bear mascots Dr Pepper in the mid-90s.


I found my favorite part about Waco just southwest of the edge of campus in a quaint little ice cream shop called Heritage Creamery. I just want to give a shoutout to this charming business for its friendly staff and unique ice cream flavors (such as Basil Strawberry and Salty Vanilla Bean)! This shop makes its ice cream in-house and buys from local farms, but most importantly it makes its waffle cones right in front of you! I highly recommend supporting this sweet local business and for anyone making a stop in Waco to give it a visit.


Anyway, the next day brought us to our team’s first game, which was against LSU’s Lady Tigers. Our team faced some tough calls by the refs that put our team at a bit of a disadvantage, but Asha Thomas made way for the team’s victory by scoring 18 points, making six out of nine of her attempted three-point field goals that game. In high spirits after an emotionally exhausting game, we celebrated with cheers and many, many photos. KC Waters even joined us for one by jumping in front of the band to pose for a full-band photo!

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The next day, we had another opportunity for a day trip, which we decided to take to San Antonio. I definitely hopped on this trip so that I could visit Lulu’s Bakery & Café, which is nationally-renowned as the home to the three-pound cinnamon roll. A small group of us made a beeline for Lulu’s as soon as the bus stopped. After almost two hours’ wait, we finally got a table, but it was entirely worth it! After glancing over the menus we quickly realized that Lulu’s wasn’t just known for its ginormous cinnamon rolls, but for its ginormous chicken-fried steaks! John Sorfleet (Bone ’14) and Joyce Luk (Bone ’15) attempted Lulu’s “Texas Ranger Challenge,” which entails trying to eat a 21-ounce chicken-fried steak, two double side dishes of your choice, and two dinner rolls all within 12 minutes. They both gave valiant efforts, but unfortunately they couldn’t finish it because the steak was too tough to chew within the allotted time! Apparently the quantity of food is not so much of an issue. For any future brave eaters, the two recommend that you choose to get either green beans or corn as the sides (instead of mac ‘n cheese or mashed potatoes) and to cut up the steak in advance into pieces small enough to immediately swallow. John also notes that dunking the steak into water does not help it go down easier—but it works for the dinner rolls. We celebrated their efforts with a cinnamon roll to share amongst the nine of us there. To me this was by far the high point of the day, since our love of cinnamon rolls brought a group of people together that normally wouldn’t see each other, bridging the all-too-common section cliques we tend to form in band!


That next day, we said goodbye to Waco by hitting up every fast food stop we could, which helped us prep for the game (any newcomers should check out Raising Cane’s fried chicken for a treat not likely to be found on the West Coast).


The game against Baylor was a tough one but our team held up extraordinarily, even in the face of what could’ve been a deeply demoralizing challenge. They held their own against top-seed Baylor even with Baylor’s starters playing until the last few minutes of the game, and also with a roaring full audience that both Baylor Spirit and their head coach Kim Mulkey worked to rile up every now and then.


These two games in Waco made me feel it was more important than ever to be there for the team, that it felt like we were in it with them. We wanted to give them all the support they could get to try to keep their morale up in an insurmountable challenge. As one of the ~30 Cal fans in attendance (including all of Cal Spirit), it was borderline frightening to be at the game, because as nice as Baylor fans were when they spoke to us in person and individually, as a crowd, it felt like they were sacrificing our team to theirs with their rite-like chants and cheers. Baylor fans would raise their Sic ‘em bear claw high in the air and then swipe it down, chanting “kill!” with every swipe, which resonated through the arena as cheerleaders looked on with toothy smiles framed by blood-red lips. Further, a small group of fans behind us started chanting “Baylor we want 100,” making it seem as though Baylor fans come to see their team decimate its opponents instead of simply beat them. However, we still were individually treated very well by the Baylor fans and were grateful for their hospitality, and I really appreciated their dedication, reverence, and turnout for their Women’s Basketball team.


This trip certainly made me feel more attached to our team. They really held it together and kept it classy, all the while keeping frustration at bay and their strength up. I’m so proud to represent and cheer on a team of players who are so fierce on the court and still so kind and gracious in person—I’ll gladly and proudly lose my voice cheering for them every game!


I’m incredibly grateful to Cal Band and the University of California for providing me these opportunities to travel, and especially with such nice accommodations! Until this trip, I’d never been to Texas, nor had I ever slept in a king size bed. I’d highly encourage any current Cal Band member to sign up for any of our away games in the future to take part in these rare experiences—especially the basketball tournaments; as daunting as it may be to block out such a large amount of time in the middle of midterms, I guarantee it’s worth it for a chance like this.


-Gwen Gettle (Bone ’15)


Pete Alvarez: 40 Years of Directing

Pete Alvarez was recently honored by the Cal Band in 2016 for serving the Band as field director for 40 years. Tara Castro (clarinet ‘05) and Colin Downs-Razouk (alto ‘05) sat down with Pete to talk to him about this amazing feat and his history with the Band.



Tara Castro: What work did you do at Cal?

Pete Alvarez: From 1976 to 1985 I worked for Parking Services. I started as a student; it was a part time job. I worked at the garage that is right outside the band room. In 1976, all the planets aligned. We just got back from tour and I didn’t know exactly what I would be doing. Parking and Transportation Services created a full time job- I don’t know if it was for me, but they asked me to do it. So had a full time job at the UC, which was great. However, it was a go-nowhere job. Things changed where I wasn’t allowed to be in the little booth anymore, I had to go out and write tickets, which I hated. I hated writing tickets. I decided I needed to get out. In 1985 I started applying for jobs, and a colleague of mine at parking had a wife who worked in personnel. She was forwarding my application everywhere. I interviewed with the Student Learning Center. On paper, I think I wasn’t qualified, but I rocked the interview. I was an administrative assistant, and when my officemate quit, my boss said, “guess who’s doing her job?” “Who?” “You.” And that’s how I got into the technical side, and that’s where I spent the majority of my 25 years with the SLC. It was tech support- the computer lab, the beginnings of file sharing, database stuff, no web yet, because there was no web then. I remember telling one director, I don’t know about this web… She said, “you wait, this thing is going to explode, so we are going to have to have a web page.”

TC: How did you get started field directing?

Colin Downs-Razouk: Who was the director of the band at the time?

PA: It was a transitional year for me in 1976 when I got the job at Parking Services. One day Bob Briggs came out to my little booth in the BRH garage and he said, “I’d like you to be a field director.” I said, “Sure, I’ll do it!” Up until that point the director was on the West sideline the student director used to be the East sideline, and they had two alumni, generally former student directors. My freshman year, at least one of them was the STUD from the year before. In the fall of 1977, Bob Briggs asked Richard Schroebel to be the second field director. In 1978, the student director didn’t want to direct, he wanted to march in his senior year. So they moved me to the East sideline, and Richard to the North, and added another alumni director.

It was at a tailgate that Bob Briggs said, “How long do you guys plan to do this?” I didn’t think he was expecting any particular answer, but at the time the football team wasn’t so bad. In ‘75 they were co-Pac 8 champions. We thought we might get to a Rose Bowl. I don’t know how much alcohol had been involved, but Richard and I said, “well how about we say we’re gonna do this until we go to a Rose Bowl.” Bob Briggs said, “That sounds great! That’ll happen soon.” This was probably around ’78 or ‘80. We hadn’t been to a bowl game since ‘59. In ‘79 we went to the Garden State Bowl. Between the three of us, we decided we’d stay on until we get to the Rose Bowl.

(all laugh)

TC: Is that still the plan?

PA: It was. We got close with Tedford. Even last year, I took Albert Locher aside and asked, “How long do you plan to do this?” He came up with a logical answer. He said  well there’s no reason for me not to.” So, it’s indefinite.

CDR: What trip was the most memorable?

PA: They all blur, but it would be when the Women’s Basketball team went to the Elite Eight, in New Orleans. The women’s basketball team is very grateful for band and they recognize band, hang out with band. That was one of those trips. The flight back had such energy. They’re all students, so that was really cool. Traveling with the women is a lot of fun.

TC: And you go on football trips as well?

The only time I get to travel with band is if they go to bowl games as the whole band.

TC:  So your last bowl game trips were probably with us. We went to San Diego, Emerald Bowl in the exotic location of San Francisco, and Fort Worth for the Armed Forces Bowl.

PA: The trip to the Armed Forces Bowl was a good one for me. As if it happened yesterday, I remember the Kennedy assassination. I had always wanted to go to Dallas to see where it happened, to experience that whole thing. So the day off that we had, I rented a car and went to Dallas. They have the sixth floor museum and I was just hanging around. This guy, this is what his business is, nothing special. Of course they charge, but it was so worth it to me. He went into the hospital and took pictures with my camera. I went to the boarding house where Lee Henry Oswald stayed, the Texas theater where he was captured. Went by the county jail. That was a memorable trip.

The Garden Bowl trip to New Jersey, in ’79, was the first one we had in a while. Pre-Facebook, I knew a lot of the football players on that team. It was cool to be able to go to this, with a ton of friends of mine on the field. It was also where CBAA was started. We lost the game. Cold! So cold! It wasn’t snowing but it was frigid cold. The band played in Manhattan, outside of Lincoln Center, outside of a bank building. Oh! Many of us, thanks to Bob Briggs, who fronted the money, got to see A Chorus Line, which was brand new. That was a fun trip.


TC: We got to go to Princeton. You were probably on that trip. We took the train to New York, which was our very first New York experience. Only twelve hours in New York!

CDR: Yeah, a whirlwind trip.

PA: That particular trip… I had sworn I would never go back to NYC, ever again. It just so happened that by pure circumstance, I was in Manhattan on September 11, 2001. After that I said I will never come back. That was an important trip because I did go into Manhattan. I went to the Trade Center site and walked in Battery Park. I happened on the eternal flame and the smashed statue like the one on campus near Center Street. It was really emotional.

CDR: Which shows stick out in your memory?

PA: My absolute favorite show was one I marched in; the Perfect Show at SC.

TC: Ah, you were in the Perfect Show! When you were part of the Perfect Show, were people aware that this was happening?

CDR: Did it feel perfect at the time?

PA: When you look at the film, you can see the energy on the sidelines when they jog off. Bob Briggs’ reaction- you can tell that something special happened. The Drum Major was up in the press box. Kelly James, who was the director of the UCLA band, was up there. There’s always been a rivalry. The Drum Major doesn’t remember this but I remember him coming down to address the band. He was so excited. He said Kelly James came up to him and said, “that was the best I’ve ever seen the Cal Band.”

That’s near the top.

The very first time the Cal Band performed the Michael Jackson show, that was another energizing show, an energizing reaction. The crowd went wild. I’m on the West side, so I’m watching this happen. You could see the crowd go crazy for Thriller.

CDR: Did they do the Thriller dance?

PA: They did the thriller dance. To see Bob Briggs react to it, during jog off and after it, was just memorable beyond belief. That was another one of those energizing, hard to repeat moments.

TC: What was his reaction?

PA: Oh, he always used to do his fists (pumps fists in the air) always talked about his chills. You can just tell, looking at him, you could just see that this was something really special.

Even though I had so little to do, Super Bowl 50 is right up there with those two.  The Band was able to keep it secret for so long! For me, it turned out to be a chaperone kind of thing for rehearsals that Bob couldn’t go to. One was in Berkeley, one was in Santa Clara. To be quite honest, I had no idea who Coldplay was. I knew who Beyoncé was. The Friday before the Sunday game, there was a dress rehearsal so all of the talent was there. These kids were so excited! It was just amazing. None of them complained that they couldn’t take their phones in. None of them complained about anything. They were flying high! I got to experience that on Friday. We did a little rehearsal on the field, and then we got herded into another area and got an armband, which someone asked to see every 500 feet. It was all part of the excitement. I was on the sidelines and there she is! (Beyoncé) Right there! All the kids were ahh…didn’t know what to do! They knew they couldn’t talk to her or take pictures. They did the performance from beginning to end with all the pyrotechnics and music. It was just incredibly exciting.

I remember the very first day of rehearsals, I was there. They were meeting with the people from the super bowl. Bob introduced me, and said, “You don’t want to go to the actual super bowl…” He didn’t want to impose that long day on me. “Heck yeah I want to be there!” I wouldn’t have missed it, it was so incredible. I was high for a week and a half.

CDR: How do you balance life, work AND band?

PA: It’s not bothersome for me. Especially since I’m retired from the University, I’ve got lots of time to do lots of things.

I do like it when I’m actually able to direct the band. So when they are facing me, Bob will cut out and I do get nervous. I only get to hear the music that day so I get nervous. Which why I try to go to one rehearsal during the week. So I can have a sense of what the music is, which way they’re facing, what it is going to be like. I want to experience that once before Saturday.

One of the joys of pregame is, it got to a point where I would direct the students in Sons of California and I would raise my hand for them to do the hat salute and they would follow me. That’s always been fun.

CDR: The most distinct memories I have of you conducting are the hat salute.

PA: I can see what’s going on down there- I see so many people move early! The primary reason I do that is that they can watch the signal and it’s time to put their hat back son.

TC: I have to tell you, I felt trepidation pretty much every single time I was on the field. But when I saw you during hat salute I was like, Pete’s here, everything’s fine.

CDR: At the start of Fight, do you ever seek out the trumpets on the field?

PA: I always try to make eye contact with them. Before the season starts, I try to rehearse with them because my style is very different than everybody else’s. Everybody has their own style. Even the student director who during the week is directing them, I’m going to be very different. It always happens that the first time I do it, somebody will mess up. I like to have the opportunity to get them used to what it’s going to be like when they see me start Fight.

CDR: Is Bob directing the intro with you?

PA: No, I start it, then he’ll take up and then I watch him.

CDR: None of us have ever seen Bob in that moment! You’re the only one.

TC: What are some changes you’ve seen over the years?

PA: Through Facebook, I’ve gotten a glimpse of what’s going on. We didn’t have bondings. There were so few of us so we all knew each other. But with a big band, I could see why you would want to get with your instrument and get to know each other.

For good or bad, the culture at the university has changed. It’s way more expensive than it was 30 years ago, so people have to get in and out quickly. Academics have become a priority. That’s just the way it is.

CDR: How did you manage to keep doing this for forty years?

PA: I just have an absolute love for doing it. I don’t know anything else! If they’ll still have me, I’m going to be there. There is some cost. As I get older I can feel it. It is a long day. I have yet to see the Cal Band perform from anywhere else but on a ladder. I’ve never been in the stands yet to see them burst out of the tunnel. That’s pretty good, in one way! I look forward to the day that I can, but that’s not going to happen soon.

I go to maybe a rehearsal a week. If it’s a two week show, I’ll go once prior to Saturday. It’s more important for me to do it than for them to have me there.

There’s no issue of balance for me- I think the students have balance issues (with life, school, band). For me, in the early ‘70s, there was nothing other than Cal Band. The camaraderie that was formed- I think our FTP was a week long that we were together. The gratification of performing, nothing else mattered. There wasn’t any pressure on us to be part of any other groups. That’s how I came up and that’s how it’s been. Even when I was working, it was not a matter of, oh do I really want to do this? I always wanted to do it.

The ASU game where they honored me at halftime, that was pretty special. I had little clue that anything would happen. I was up on the ladder, freezing, right before halftime. I was standing close to the wall, shivering. Ross Greer came over and said, “Bob wants to make sure you stay here when halftime is over.” I thought, well ok, I’m freezing but… had Ross not come and talked to me, I would have gotten off that ladder and gone home.


TC: Did you ever have a sense of deep fear or deep accomplishment?

PA: One show, the Earth, Wind and Fire show, not too long ago, Calonico did a dance routine, so I ended up directing. It was all facing the East side and I was the director. That was terrifying! I did go to a couple of rehearsals, but just the fear of messing up, that was the most fearful of them all.

A sense of accomplishment…after the ASU game where they honored me at halftime, getting messages from people all over the stadium.

Some time in the early 80s, rap was starting to come in vogue, and somebody wrote a rap around me and my work with the band and at parking services. “Pete, Pete Alvarez. Pete, Pete Alvarez. On weekdays he’s the parking man, on weekends he directs the band.”


Super Bowl 50: The Cal Band Experience

Well, the secret is most definitely out. After a couple of agonizing months of secrecy, three full days of missing classes, and one unforgettable performance, the members of Cal Band can finally comment on their experiences as a part of the halftime show for Super Bowl 50. Here’s the overview:

Day 1: Monday, January 25th

Hour 1— We are greeted by Super Bowl officials (Sean and K.P.), our participation with Coldplay is confirmed, and music and charts with our spots (poopsheets) are handed out– the excitement is tangible. Jamie Cerny (trombone ‘13), a member of STUNT, says “K.P., the producer that worked with us, had a very specific image in mind for the show– she gave us formations that she wanted to see on the field, and it was up to us to make them happen.” Cerny, working with limited time, “translate[ed] her [K.P.’s] images into CalChart and then had to work out transitions that fit within very limited time constraints.” All of this was to “make sure we didn’t collide with the stage or any equipment on the field, ensure that we were in good positioning for camera shots and that we would still have time for the continuities that K.P. really wanted to feature in the show,” says Cerny. A lot of things to consider for 2 minutes of fame!

Hours 2-3—We line up alphabetically and enter Maxwell. Yes, it takes this long.

Hour 4—Practice ends early! Also, we are told that we are changing everything we just learned. As Cerny notes, “it was an interesting experience, working with people who weren’t necessarily acquainted with the way a marching band moves” which led “the initial concept [to be] completely out of the range of what was possible.”

Day 2: Friday, January 29th

Hour 1-2—Grateful to escape the rain, we run through our music for the first time. Bob Calonico, our director, points out all the points in the music in which we’re going to be featured once we record with Coldplay. As we were prerecorded for a superior sound quality, questions were then raised about what our “playing” would look like on the field…especially for the percussionists. Mimicking cymbal playing seemed a little difficult.

Hour 2-3—We’re off to Memorial Stadium! Sean and K.P. were kind enough to hand out ponchos and feed us in North Tunnel. This was when we really began learning our drill. According Jessica Trinh (clarinet ‘12), “ the atmosphere was full of energy and excitement!” Oh, and rain. Lots of it.

Hour 3-4—Soaking wet, but still not complaining (ok maybe a little bit) we gather around and learn that the next rehearsal will be in Levi’s Stadium and will feature the “talent”…aka Coldplay, Beyonce, and Bruno Mars. We depart singing “Fight for California” as Sean reminds us that we’ll need our “patience and a sense of humor” for the next few days.


Day 3: Wednesday, February 3rd aka the LONG day

Hour 1-3— Anxious to be in the stadium and in the presence of all the performers, we are ushered from security checkpoints to a practice field to the South Tunnel then finally into the stadium. “I feel denied basic human rights,” dramatically claimed Isaiah Apfel (piccolo ‘14), which included the “basic human right to see Beyonce.” While waiting in the tunnel to enter the stadium, I ask a few clarinet and alto saxophone players to describe their experiences in one word. Responses ranged from “unbelievable” (Megan Dorn, alto ‘14) and “memorable” (Sarah Manthorpe, alto ‘15) to just “good” (Margo Oka, clarinet ‘15). Kathleen McCully (clarinet ‘14) said her word would be “‘emotional’” once she “got to meet Coldplay.” Nicole Polo(clarinet ‘14),asked, “what’s the word for always needing to pee?”

Hour 3-5—Outfitted in fancy portable radios, with name-tags that made them really official, we finally start rehearsing in the stadium. Just a couple of feet away from the other performers, it is safe to say we are all a little starstruck. Pedro Chinchilla, (tenor drum ‘15) recalls , “Coldplay, Beyonce, AND Bruno Mars all in one spot… enough said!”

Hour 6—Freezing from the wind, we exit the field to the hope of food and the promise of pre-recording. As the sun goes down, we watch a cart of pizza get wheeled past us and learn that Will Chambers of Coldplay will be joining us to record. Surrounded by microphones and giddy with excitement, we play our part in “Paradise,” “Fix You,” and the Finale. Susheel Krishnamurthy, (snare ‘15) was lucky enough to personally interact with Mr. Chambers. “We gave him my second pair of sticks to hold while we were jamming, which was AWESOME” Krishnamurthy recounts. “I’m gonna keep those sticks forever.” We also had the pleasure of chatting with conductor Gustavo Dudamel, who would be directing the Youth Orchestra of Los Angeles. This definitely induced a lot of “freaking out” from our bandsmen.

Hour 7-the end (late)—WE ARE FED! And, fit for uniforms. The bright pink, yellow, and orange uniforms are definitely overwhelming at first, but once everyone is fit, they seem to be just right for the show we had seen in the works. We leave the stadium only to return less than twelve hours later, exhausted but definitely excited.

Day 4: Thursday, February 4th

Hour 1-2—Once again we go through various stages of security only to discover that our neighbors in UCCE are joining us in this rehearsal! Davis Perez (trumpet ‘15) comments on the nature of our marching pants as we were in full uniform for this rehearsal. He says, “I’ve never been able to wear these pants without having very clearly defined butt cheeks.” True.

Hour 2-4—Ushered back and forth from the practice field to the stadium, we run the show a few more times, but this time in full uniform! Before we reenter the stadium, Bob reminds us that, “you don’t want to be that one person to mess up on national television.” When running through our part we had to incorporate, as Cerny would say, “a laundry list of notes.” There would be “edits to the show that we would need to accommodate for the next rehearsal, with no time to practice in between,” says Cerny which while difficult, was doable.

We weren’t the only group making changes: Beyonce’s outfit always seemed to be new, Coldplay’s Chris Martin no longer crowd surfed for his entrance, and the “Viva Flags” (tall flags that surrounded the stage when Coldplay performed “Viva La Vida”) seemed to have a little difficulty with their positioning and timing. “I have a lot of respect for all the cast and crew who make this show great,” says M.J. Balyuot (alto ‘15). “Our coordinators maintained a positive attitude despite the high-stress environment.”

Hour 5—We load the truck up with our instruments and head home!

Day 5: Friday, February 5th aka the LAST day

Hour 1-4: We do one run of the show, beginning to end. For the first time we are incorporating all the little details, including running on and off the field. It is definitely beginning to feel real now.


One phone was allowed, so we have an actual timeline for this day.

9:00am: We load the buses and take one last trip up to Santa Clara!

10:30am: Well, ok not quite Santa Clara. We are now at a secret holding area with all the other Halftime cast. We take pictures with Brian, our stage manager, eat a quick lunch and then head to the stadium.

11:00am-3:30pm: Wow, wow, wow. We are all suited up and ready to perform! The game is playing in a tent on our practice field, and we are patiently waiting. As we wait, Clay Sample (mellophone ‘14)wonders, “how many ducks it would actually take to take down the Empire State Building??”. Willie Ross (tenor drum ‘14) also contributed, saying “Nothing is on my mind because thought is an illusion we create for ourselves.” Existential thoughts in the wake of an unforgettable performance.

3:30-5:30 pm: Now, we wait in lines. As we wait, Bob mocks Alex Dominitz and Delia Peterson, two senior clarinet players, who are marking their moves in the parking lots. As line leaders, the two had an extra responsibility to ensuring the band’s success in the performance as they led us onto and off of the field.

5:30 pm-5:42 pm: The fastest 12 minutes of our lives. The crowd is erupting in cheers, we are focusing harder than ever on our show, and the halftime show for Super Bowl 50 is officially on. Full of adrenaline, we bound off the field, the fact that we just performed for over 100 million people not quite setting in yet.

6:00-8:00pm: The bus ride back to Berkeley is full of tears. Finally able to release to the public the fact that we were involved in this performance, our social media pages are now erupting. Family members send us blurry pictures taken of us from their televisions, and we all swear never to remove our wristbands. I think we all agree with Mary Munoz piccolo ‘15), that this “is definitely an experience I [we] will never forget!”

-Gillian Perry, Clarinet

Monday, Jan 25th: Bringing the Super Bowl to Maxwell Field

Nearly two weeks ago, Cal Band ventured to Maxwell Field to rehearse a distinctive postseason performance, an encore that would cap off a semester of fantastic football and field shows. On a chilly Monday evening, we began learning our continuities to the Super Bowl 50 Halftime Show.


Waiting in ‘alpha order’ to be identified and cleared to enter to field, it was obvious everyone was juggling a mix of excitement and anxiety. Personally, I was ready to high-step my bass drum off and be a part of an undeniably magical and pivotal show, not just in Cal Band history, but in the history of Super Bowl performances. I would be lying if I said the thought of accidentally tripping in front of Gustavo Dudamel didn’t make me nervous. But once the field positions were decided and the yard markers were passed, it was like any other practice.

Despite our brief marching hiatus from winter break, we instantly fell back into rhythm. A pep talk beforehand from our coordinators KP and Shawn set us up to put our best step forward. I’m not sure why, but I expected these Super Bowl reps to be stone-faced suits with no time to spare a college kid’s confusion. I’ve never been more wrong. Both of them were inspirational. Though they made clear what was expected of us, they were constantly having a good time and, most of all, made it abundantly clear they were here to help us perform the best halftime show possible.

In good spirits, we hurried up and waited, enjoyed the company of friends we hadn’t seen over winter break, and when the time came, executed the drill to the best of our ability. I knew full well, as did my friends marching by my side, that this would be one of the biggest opportunities we would ever get to show the world why we do what we love. The Golden Bears were ready to take the Super Bowl by storm.

Ben Pridonoff – Fundraiser Coordinator

Grambling State Visits Berkeley

Cal Football proved that they are still on the rise by kicking off the 2015 season with a stunning score of 73-14 against Grambling State University. The game on September 5 was special, not just because it raised the hopes and expectations of Cal fans for the coming season, but also because of a unique and exciting visit from Grambling State’s famous marching band. As always, Cal Band was welcoming and friendly to the other band; we’re always happy to meet another marching band, especially one all the way from the other side of the country.


On Saturday, the football game began at 2pm. It was a beautiful day in Berkeley and the sun was shining on Memorial Stadium as we performed a rousing pregame performance – our first of the season! During the pregame show, the Grambling State Band joined us on the field and we played the National Anthem together, our incredible combined sound filling the stadium as their director conducted us.

While the Bears made us a bit nervous at the beginning of the game, we quickly saw that we had nothing to worry about. Our team scored the first touchdown, and went on to score many, many more. Cal crushed Grambling State, and managed to set a first-half scoring record with an incredible lead of 52-0. Despite the southern team’s struggle on the field, their band and cheerleaders remained spirited throughout the game. The Grambling Band wailed out Talkin’ Out The Side of Your Neck from the stands, and their cheerleaders did flips across the end zone when they scored a touchdown. Meanwhile, the Cal Band gleefully played Fight for California again and again. The entire stadium was in high spirits.

Come halftime, Grambling State’s marching band took the field first. They were uproarious, rousing the crowd, as well as us,  with their dance routines. They even surprised us by performing “California Love” by 2Pac as a friendly shout out. Once they finished, Cal Band took the field to perform the first halftime show of the year, Guardians of the Calaxy. The show consisted of five classic songs that appealed to both alumni and students, who recognized the hits from the blockbuster summer movie, Guardians of the Galaxy. Arranged by our very own Robert Calonico, the halftime show included Hooked on a Feeling by Blue Suede, Escape (the Piña Colada Song) by Rupert Holmes, Come and Get Your Love by Redbone, Fooled Around and Fell in Love by Elvin Bishop, and finally Ain’t No Mountain High Enough by Marvin Gaye and Tammi Terrell. Our drum major, Sam Cappoli (instrument and year), and his Stunt Committee ran around the field during the show dressed in costumes of characters from Guardians of the Galaxy, performing a silly skit that ended in vanquishing the Stanfurd tree with Oski’s help!

Our team finished off Grambling’s team with a score of 73 points. The Cal football team crowded in front of the band to sing along to Fight for California in celebration of our first win of the season. Then Grambling State’s marching band joined our band on the field for the post-game performance and we took turns performing some of our most popular songs. As the Grambling State marched off the field and headed back down south, Cal Band sadly waved them farewell, grateful for the opportunity to meet and watch such a lively band with a style so different from our own.

- Tara Hurley

“Fall of Troy” with UCLA

It was on October 22nd, 2015, the Cal vs. UCLA game, when I experienced one of the most stressful days in my time as a Cal Band member.
The day started average enough; it was a typical hot Southern California day, one that a SoCal native such as myself would recognize. It was a heat compounded by anticipation, the thick uniforms, the dry air, and the fact that I had been accustomed to the far more temperate climate of the Bay Area. But other than that, it was business as usual; Cal fans were hopeful to make the most of UCLA’s current losing streak, beat their “little bears” of the South. Personally, it was not so much the game I was looking forward to as it was the halftime show. Dubbed “The Downfall of Troy,” the joint show involved both the UCLA and Cal bands, united by their mutual disdain of USC, to dress up as Greeks and Trojans to depict the legendary Trojan War. It is a show done every four years by UCLA and the visiting marching band, and this time we received the distinct honor of ragging on the USC Trojans. While most of my fellow bandsmen would be portraying the Greeks, a fair number of us, myself included, were given the difficult duty of representing the Trojans that both teams despised so much. I was enthusiastic to perform this show and “act,” far more so than with any other show I had done.


That afternoon, the Cal and UCLA bands met up and practiced the show, and while we all held different levels of seriousness for this show, the ultimate result was a performance that I knew would be extremely popular and entertaining to the fans. With so many of us on the field, I could tell that the real thing would become extremely chaotic – and that was particularly interesting. Cal Band shows are generally pretty straightforward and scripted in specific ways, at least in my experience, but this show seemed highly improvised, especially when it came to form and movement. It held a certain charm, distinct from other performances. . The thought of how the fans would react to such a humorous and exciting show filled me with a great anticipation, further solidified by the similar excitement on the faces of my fellow bandsmen. With this anticipation in my mind and my spirits high, the band headed to the Rose Bowl, where our destiny awaited us.
And, as we all saw that night, our hopes and anticipations…were utterly crushed.
It would be accurate to state that our football team performed far worse than many had expected. espite this, we played on, and we continued to support our team, even as they trailed more and more, and continued to make more and more mistakes. We were in “enemy territory”, and were heckled and booed off the field after we had finished our pregame show. I had expected as much, and as such I was not shaken by it, even if I was far more used to being cheered off by our supportive fans. No need to feel bad about trying to cheer our own team on; it is the very reason Cal Band exists. We could only move forward and play our hearts out, for it was not the points that mattered, but our determination to continue to fight; such is the duty and struggle of a spirit team.
By the time we went onto the field for the halftime show, the score was a depressing 26-10, and some of us seemed already conceded to defeat. But, even if the game’s prospects were running at an all-time low, I put that aside for a moment to let loose and really have fun. That is why I became a Cal Band member, after all; I enjoy performing music, and I strive to make people smile. Even as I donned my despicable Trojan costume, I proudly marched into battle; the show had begun, and it ran without a hitch. Fueled by adrenaline and pride, I charged at the Greeks, my wooden sword in hand, my friends beside me; what an experience! The show was so free in regards to movement, action, and form, I did not feel that sense of nervousness that often accompanies other halftime shows I have done. And most importantly, bonded by common contempt for USC, the crowd loved us! It is these kinds of moments that, to me, make being a Cal bandsman so gratifying. With everyone, Cal and UCLA fans alike, cheering us on, I felt so very joyful and proud to be in the marching band. I felt so happy that I could put on a great show for everyone.
But I found, in the end, it was still impossible to satisfy everyone. My happiness was, unfortunately, fleeting.
Perhaps it was a lack of context, perhaps a miscommunication of our intents, or maybe even a violation of tradition, but our supporters back on the home front…hated it. California Golden Blogs, the leading fan page for the Golden Bears said on twitter “Cal band is dressed in red. This is embarrassing.”It was a sentiment shared not only by the fans but by some Cal Band alumni, who also criticized our use of red on the Trojan costumes. I could understand if we wore these costumes in any other context, but given that our costumes were worn for the sake of parody, I was confused and hurt. I tried to shrug it off, but I found that shaking off the spiteful words was much harder than I imagined. How could the Cal Band, which has collectively strived to support our football team through thick and thin, be seen as a disgrace to the university? Why would our fans turn their backs on us, when we never turned our backs on them? By the end of the third quarter, all hopes of a comeback seemed all but lost, and after hearing of the hateful comments, everyone was just flat-out tired. Tired of playing, tired of holding on to hope, tired of standing up in the stands, and most of all, tired of losing. Some of us simply ignored the game from then on, not even responding to any changes in the score; another group of us, angered by California Golden Blogs’ response to the show, retaliated at the backlash. And sadly, I think that most of us just did not care anymore. It would be a lie if I said I was not feeling these sentiments as well
By the time the game was over I could think of nothing but the idea that the band had not lived up to the standards of our fans. When approached by fellow bandsmen about the fan response, I pretended to laugh it off and act like I didn’t care. In the end I tried to convince myself that people would forget it ever happened. I held onto hope that the fans simply missed the context of the show, but self-doubt convinced me that the fans would have known that the show was parody, and that despite that, the fans still strongly disagreed with our costume choices. With all these thoughts spinning in my head, I could not sleep on the bus that night. The whole experience, intended to be fun and enjoyable, was soured. And at first I felt I had no one to blame but myself.
But I realized something in the days following the game. Those feelings I felt during the halftime show – that anticipation, the thrill, the utter joy I felt as the fans cheered us off the field…it was all real. The smiles on the faces of my friends as we charged the wall, the laughing we did as we walked off the field. Regardless of what any singular person or group had said, I could truly say that not only did I have fun, but the Cal Band had collectively done what we had set out to do – bring a driving force of support to our fans and the Golden Bears. I realize that it is always going to be impossible to appease every single fan out there, but it is okay, because we put our full effort into our performances. hough I cannot speak for all 200+ of us in Cal Band, I think we are all proud of what we managed to accomplish, even if we did not win the football game or win favor with all of our fans that night. Because for us in Cal Band, it is not about scores or tweets. It is about far more than that.
It is about being a proud member of the Golden Bear family.

- Dean Caudill

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